Dale Kavanagh

Dale Kavanagh played after Sonja, and by contrast hers was a spectacular performance, spirited, impressive, mature and impassioned. She at once put the audience at ease with a definitive rendering of Courante, Ballet and La Volta by Praetorius. (I disagree with Matanya Ophee that because these are dances they should have been taken at a slower pace. This was a guitar recital and not a dance-hall!) Dale’s own arrangement of the Second Movement of the Guitar Concerto by Villa Lobos followed and was even more loudly applauded then the Terpsicore. (more…)